A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 73
Pagina 80
... hand and eye are engaged . When they do not , both of them , act as organs of the whole being , there is but a mechanical sequence of sense and movement , as in walking that is automatic . Hand and eye , when the experience is esthetic ...
... hand and eye are engaged . When they do not , both of them , act as organs of the whole being , there is but a mechanical sequence of sense and movement , as in walking that is automatic . Hand and eye , when the experience is esthetic ...
Pagina 457
... hand the approximation to flat representation , and on the other hand strict suppression of the representa- tion of space and exclusive rendering of the individual form . Men were impelled toward flat representation because three ...
... hand the approximation to flat representation , and on the other hand strict suppression of the representa- tion of space and exclusive rendering of the individual form . Men were impelled toward flat representation because three ...
Pagina 546
... hand it is pos- sible to satisfy this claim , so on the other hand it is impos- sible to satisfy it under the present plutocratic system , which will forbid us even any serious attempt to satisfy it : the beginnings of Social Revolution ...
... hand it is pos- sible to satisfy this claim , so on the other hand it is impos- sible to satisfy it under the present plutocratic system , which will forbid us even any serious attempt to satisfy it : the beginnings of Social Revolution ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words