A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 471
... historical , the re - creative , and the judicial . Each aspect relates itself to a corresponding aspect of the work of art itself - historical criticism , to the work's historical character and orientation ; re - creative criti- cism ...
... historical , the re - creative , and the judicial . Each aspect relates itself to a corresponding aspect of the work of art itself - historical criticism , to the work's historical character and orientation ; re - creative criti- cism ...
Pagina 473
... historical orientation no critic , however artistically sensitive , can escape critical " sentimentality , " that is ... historical frame of reference . Similarly , the re - creation of a work of art in all its indi- viduality is ...
... historical orientation no critic , however artistically sensitive , can escape critical " sentimentality , " that is ... historical frame of reference . Similarly , the re - creation of a work of art in all its indi- viduality is ...
Pagina 474
... historical evidence and fresh re - creative discovery . This normative compulsion is not only inescapable ; it is essential to profitable historical inquiry and to fruitful artistic re - creation . For historical investigations which ...
... historical evidence and fresh re - creative discovery . This normative compulsion is not only inescapable ; it is essential to profitable historical inquiry and to fruitful artistic re - creation . For historical investigations which ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words