A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina xxxv
... human experience in concrete terms ; but it is also , as the contextualists maintain , a fundamental human function and expresses the broadest human interests . In its widest mean- ing , esthetic art is any selection or control of ...
... human experience in concrete terms ; but it is also , as the contextualists maintain , a fundamental human function and expresses the broadest human interests . In its widest mean- ing , esthetic art is any selection or control of ...
Pagina 302
... human activities and their inter- relations . The theme is an old one , and many pages by many writers in many ... human culture.1 $ 2 The utilization of the theory of signs for an approach to cultural activities is grounded in the ...
... human activities and their inter- relations . The theme is an old one , and many pages by many writers in many ... human culture.1 $ 2 The utilization of the theory of signs for an approach to cultural activities is grounded in the ...
Pagina 439
... human object . " They are failures on the road towards it . In the new picture the contrary happens : it is not that the painter errs , nor that his deviations from the " natural " ( nat- ural = human ) fail to reach it . The fact is ...
... human object . " They are failures on the road towards it . In the new picture the contrary happens : it is not that the painter errs , nor that his deviations from the " natural " ( nat- ural = human ) fail to reach it . The fact is ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words