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Pagina 65
Thinking goes on in trains of ideas, but the ideas form a train only because they
are much more than what an analytic psychology calls ideas. They are phases,
emotionally and practically distinguished, of a developing underlying quality; they
...
Thinking goes on in trains of ideas, but the ideas form a train only because they
are much more than what an analytic psychology calls ideas. They are phases,
emotionally and practically distinguished, of a developing underlying quality; they
...
Pagina 171
Dream analysis gives us the answer, by affective association of ideas. In any
association of ideas two images are tied to each other by something different, like
sticks by a cord. In poetry they are tied by affects. If a word is abstracted from its ...
Dream analysis gives us the answer, by affective association of ideas. In any
association of ideas two images are tied to each other by something different, like
sticks by a cord. In poetry they are tied by affects. If a word is abstracted from its ...
Pagina 219
ness makes observation difficult, in the intricate chaos of animal and human life,
we still appeal to the efficacy of will and ideas, as also in the remote night of
cosmic and religious problems. But in all the intermediate realm of vulgar day,
where ...
ness makes observation difficult, in the intricate chaos of animal and human life,
we still appeal to the efficacy of will and ideas, as also in the remote night of
cosmic and religious problems. But in all the intermediate realm of vulgar day,
where ...
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |