Dall'interno del libro
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Pagina 41
We speak commonly of "calling up" images and the metaphor suggests that there
is a hidden depth from which the images emerge— a well from which they rise up
like genii in the Arabian Nights. And such we know to be the actual truth.
We speak commonly of "calling up" images and the metaphor suggests that there
is a hidden depth from which the images emerge— a well from which they rise up
like genii in the Arabian Nights. And such we know to be the actual truth.
Pagina 103
the spurious image, and of enriching in this way the concept of the image and of
art. What function (it is asked) can a world of pure images possess in the spirit of
man, without philosophical, historical, religious or scientific value, and without ...
the spurious image, and of enriching in this way the concept of the image and of
art. What function (it is asked) can a world of pure images possess in the spirit of
man, without philosophical, historical, religious or scientific value, and without ...
Pagina 104
images and allowing them to succeed one another capriciously, by combining
one image with another in a like capricious manner, joining a horse's neck to a
human head, and thus playing a childish game. Old Poetic availed itself above all
of ...
images and allowing them to succeed one another capriciously, by combining
one image with another in a like capricious manner, joining a horse's neck to a
human head, and thus playing a childish game. Old Poetic availed itself above all
of ...
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |