A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 41
... images and the meta- phor suggests that there is a hidden depth from which the images emerge - a well from which they rise up like genii in the Arabian Nights . And such we know to be the actual truth . These images , when we are not ...
... images and the meta- phor suggests that there is a hidden depth from which the images emerge - a well from which they rise up like genii in the Arabian Nights . And such we know to be the actual truth . These images , when we are not ...
Pagina 103
An Anthology Melvin Miller Rader. the spurious image , and of enriching in this way the con- cept of the image and of art . What function ( it is asked ) can a world of pure images possess in the spirit of man , without philosophical ...
An Anthology Melvin Miller Rader. the spurious image , and of enriching in this way the con- cept of the image and of art . What function ( it is asked ) can a world of pure images possess in the spirit of man , without philosophical ...
Pagina 104
... images were to find their common center unit of union in a comprehensive image : and the esthetic of the nineteenth ... images , presupposes the possession of particular images in the spirit ; and fancy produces , whereas imagination is ...
... images were to find their common center unit of union in a comprehensive image : and the esthetic of the nineteenth ... images , presupposes the possession of particular images in the spirit ; and fancy produces , whereas imagination is ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words