A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 49
... imaginative life he leads may correspond to an existence more real and more important than any that we know of in ... imaginative , justify nature by its likeness to art . I mean this , that since the imaginative life comes in the course ...
... imaginative life he leads may correspond to an existence more real and more important than any that we know of in ... imaginative , justify nature by its likeness to art . I mean this , that since the imaginative life comes in the course ...
Pagina 50
... imaginative life were not so squalid and incoherent ? And , if we admit any loss then , there is some function in human nature other than a purely ethical one , which is worthy of exercise . Now the imaginative life has its own history ...
... imaginative life were not so squalid and incoherent ? And , if we admit any loss then , there is some function in human nature other than a purely ethical one , which is worthy of exercise . Now the imaginative life has its own history ...
Pagina 132
... imaginative works ! If we could do so , then examination of it would give us a hope of obtaining some insight into the creative powers of imaginative writers . And indeed , there is some prospect of achieving this- writers themselves ...
... imaginative works ! If we could do so , then examination of it would give us a hope of obtaining some insight into the creative powers of imaginative writers . And indeed , there is some prospect of achieving this- writers themselves ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words