A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 15
... Imitation in Art Art , as such , consists not in imitating but in making , in composing or constructing , and that according to the laws of the very thing to be placed in being ( ship , house , carpet , colored canvas or hewn block of ...
... Imitation in Art Art , as such , consists not in imitating but in making , in composing or constructing , and that according to the laws of the very thing to be placed in being ( ship , house , carpet , colored canvas or hewn block of ...
Pagina 18
... imitation absolutely foreign to art.19 19 What is required is not that the representation shall con- form exactly to ... imitation as a reproduction of things , it proceeds from the perfection with which the work expresses or manifests ...
... imitation absolutely foreign to art.19 19 What is required is not that the representation shall con- form exactly to ... imitation as a reproduction of things , it proceeds from the perfection with which the work expresses or manifests ...
Pagina 305
... imitation " to regard it as a theory of the sign - character of the work of art . For " imitation " was never originally limited to literal reproduction of existing objects ( thus Aristotle speaks of the imitation of what is or what men ...
... imitation " to regard it as a theory of the sign - character of the work of art . For " imitation " was never originally limited to literal reproduction of existing objects ( thus Aristotle speaks of the imitation of what is or what men ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words