A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 190
... important as the activity of speech itself , and as generally diffused . . . We are accustomed to understand art to ... importance . There is one indubitable sign distinguishing real art from its counterfeit - namely , the infectiousness ...
... important as the activity of speech itself , and as generally diffused . . . We are accustomed to understand art to ... importance . There is one indubitable sign distinguishing real art from its counterfeit - namely , the infectiousness ...
Pagina 231
... importance of the sensuous medium and the physical objects of nature . Although Bosanquet is an idealist , he ... important books Aesthetic Analysis and Aesthetic Judgment . He begins with an 2 " Croce's Aesthetic , " Proceedings ...
... importance of the sensuous medium and the physical objects of nature . Although Bosanquet is an idealist , he ... important books Aesthetic Analysis and Aesthetic Judgment . He begins with an 2 " Croce's Aesthetic , " Proceedings ...
Pagina 293
... important among our attitudes can be aroused and maintained without any belief entering in at all . Those of Tragedy ... important , these worlds have an order , with regard to one another , which is the order of the mind ; and ...
... important among our attitudes can be aroused and maintained without any belief entering in at all . Those of Tragedy ... important , these worlds have an order , with regard to one another , which is the order of the mind ; and ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words