A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 374
... individual type patterns than in any other formal difference or in any differences in the material , expressive , or func- tional features of their works . As to the historian of art , he can use type patterns as tools of clarification ...
... individual type patterns than in any other formal difference or in any differences in the material , expressive , or func- tional features of their works . As to the historian of art , he can use type patterns as tools of clarification ...
Pagina 395
... individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over- individual value ; that which is knowledge for one is taken to be knowledge for all ...
... individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over- individual value ; that which is knowledge for one is taken to be knowledge for all ...
Pagina 459
... individual need of activity represents at the same time a restriction of its illimitable possibilities , a denial of ... individual , for this individual has in just such contemplation lost himself : but he is the pure , will - less ...
... individual need of activity represents at the same time a restriction of its illimitable possibilities , a denial of ... individual , for this individual has in just such contemplation lost himself : but he is the pure , will - less ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words