A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 67
Pagina xv
... interests focus , or with which our interests are fused . An interest is an attitude of liking or disliking , of preference , appreciation , or appraisal . It is a hedonic , emotional , or volitional state , perhaps qualified by judg ...
... interests focus , or with which our interests are fused . An interest is an attitude of liking or disliking , of preference , appreciation , or appraisal . It is a hedonic , emotional , or volitional state , perhaps qualified by judg ...
Pagina 42
... interests , or remi- niscences splitting the interest in the object or destroying the unity of attention and appreciation . " In the course of his further description of esthetic adaptation , Bullough recognizes its impersonal or rather ...
... interests , or remi- niscences splitting the interest in the object or destroying the unity of attention and appreciation . " In the course of his further description of esthetic adaptation , Bullough recognizes its impersonal or rather ...
Pagina 85
... interest . The beholder must go through these operations according to his point of view and interest . In both , an act of abstraction , that is of extraction of what is significant , takes place . In both , there is comprehension in ...
... interest . The beholder must go through these operations according to his point of view and interest . In both , an act of abstraction , that is of extraction of what is significant , takes place . In both , there is comprehension in ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words