A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 108
... intuition , then , is always lyrical intuition : this latter being a word that is not present as an adjective or definition of the first , but as a synonym , another of the synonyms that can be united to the several that I have ...
... intuition , then , is always lyrical intuition : this latter being a word that is not present as an adjective or definition of the first , but as a synonym , another of the synonyms that can be united to the several that I have ...
Pagina 109
... intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural fact . The spirit only intuits in making , forming , expressing ...
... intuition or representation is also expres- sion . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural fact . The spirit only intuits in making , forming , expressing ...
Pagina 112
... intuition and his intuition the Ninth Symphony . Now , just as one who is deluded as to the amount of his material wealth is con- futed by arithmetic , which states its exact amount , so he who nourishes delusions as to the wealth of ...
... intuition and his intuition the Ninth Symphony . Now , just as one who is deluded as to the amount of his material wealth is con- futed by arithmetic , which states its exact amount , so he who nourishes delusions as to the wealth of ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words