A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 197
... judgment . It is all a question of propriety of speech , and of the empty titles of things . The verbal and mechanical proposition , that passes for judgment of worth , is the great cloak of ineptitude in these matters . Insensibility ...
... judgment . It is all a question of propriety of speech , and of the empty titles of things . The verbal and mechanical proposition , that passes for judgment of worth , is the great cloak of ineptitude in these matters . Insensibility ...
Pagina 200
... judgments are accordingly to be classed together in contrast to judgments intellectual ; they are both judgments of ... judgment is necessarily intrinsic and based on the character of the immediate experience , and never consciously on ...
... judgments are accordingly to be classed together in contrast to judgments intellectual ; they are both judgments of ... judgment is necessarily intrinsic and based on the character of the immediate experience , and never consciously on ...
Pagina 501
... judgment of mediate value , is a matter of the individual critic's taste or consti- tution , since for any such critic that relevance depends on a judgment of immediate value by him . As regards judgments of immediate value , and in ...
... judgment of mediate value , is a matter of the individual critic's taste or consti- tution , since for any such critic that relevance depends on a judgment of immediate value by him . As regards judgments of immediate value , and in ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words