A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 296
... knowledge for that old dream of a perfect knowledge which would guarantee perfect life to retain its sanction . What was thought to be pure knowledge , we see now to have been shot through with hope and desire , with fear and wonder ...
... knowledge for that old dream of a perfect knowledge which would guarantee perfect life to retain its sanction . What was thought to be pure knowledge , we see now to have been shot through with hope and desire , with fear and wonder ...
Pagina 395
... knowledge and beauty , are independent of individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over- individual value ; that which is knowledge ...
... knowledge and beauty , are independent of individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over- individual value ; that which is knowledge ...
Pagina 400
... knowledge and the restful absorption of our mind is gone . This suppression of the thought of where the road is leading needs more careful preparation and more insistent training than the stimulation of such inquiries , which must be ...
... knowledge and the restful absorption of our mind is gone . This suppression of the thought of where the road is leading needs more careful preparation and more insistent training than the stimulation of such inquiries , which must be ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
24 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words