Dall'interno del libro
Risultati 1-3 di 57
Pagina 296
It is not what the universe is made of but how it works , the law it follows , which
makes knowledge of it incapable of spurring on our emotional responses , and ,
further , the nature of knowledge itself makes it inadequate . The contact with ...
It is not what the universe is made of but how it works , the law it follows , which
makes knowledge of it incapable of spurring on our emotional responses , and ,
further , the nature of knowledge itself makes it inadequate . The contact with ...
Pagina 395
In fancy , or in superstition , we might mentally connect any objects whatever in
the world , but that would not be knowledge ; and , on the other hand , we might ,
in a sensual enjoyment , give over our whole mind to anything which captured
our ...
In fancy , or in superstition , we might mentally connect any objects whatever in
the world , but that would not be knowledge ; and , on the other hand , we might ,
in a sensual enjoyment , give over our whole mind to anything which captured
our ...
Pagina 400
with that which was before and with that which will follow , it becomes
astronomical knowledge and the restful absorption of our mind is gone . This
suppression of the thought of where the road is leading needs more careful
preparation and ...
with that which was before and with that which will follow , it becomes
astronomical knowledge and the restful absorption of our mind is gone . This
suppression of the thought of where the road is leading needs more careful
preparation and ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |