A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 75
Pagina xxiv
... language of dream and myth and art is a merely private and subjective language is being dis- proved by modern anthropology and psychology . As Erich Fromm has said : " The essence of symbolic language is that inner experiences , ones of ...
... language of dream and myth and art is a merely private and subjective language is being dis- proved by modern anthropology and psychology . As Erich Fromm has said : " The essence of symbolic language is that inner experiences , ones of ...
Pagina 273
... language , not on any lack of relation between the states and events and situations which language normally describes and the musical experience . Language is particularly deficient in words describing emotional states , and has only ...
... language , not on any lack of relation between the states and events and situations which language normally describes and the musical experience . Language is particularly deficient in words describing emotional states , and has only ...
Pagina 587
... Language , and Behavior , New York , 1946 . Nahm , Milton C. , Aesthetic Experience and Its Presuppositions , New York , 1946 , Part III . Ogden , C. K. , and Richards , I. A. , The Meaning of Meaning , New York , 1923 . Pollock , T. C. ...
... Language , and Behavior , New York , 1946 . Nahm , Milton C. , Aesthetic Experience and Its Presuppositions , New York , 1946 , Part III . Ogden , C. K. , and Richards , I. A. , The Meaning of Meaning , New York , 1923 . Pollock , T. C. ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words