A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 68
Pagina 142
... least leave us cold . But when a man of literary talent presents his plays , or relates what we take to be his personal daydreams , we experience great pleasure arising probably from many sources . How the writer accomplishes this is ...
... least leave us cold . But when a man of literary talent presents his plays , or relates what we take to be his personal daydreams , we experience great pleasure arising probably from many sources . How the writer accomplishes this is ...
Pagina 224
... least beautifully done . " Unrealism " is concerned with neither edification nor imitation . It aims directly at beauty of form . And as attention to form must compete with attention to content , the significance of the one requires the ...
... least beautifully done . " Unrealism " is concerned with neither edification nor imitation . It aims directly at beauty of form . And as attention to form must compete with attention to content , the significance of the one requires the ...
Pagina 535
... least is left us to strive for , the raising of the standard of life where it is lowest , where it is low : that will put a spoke in the wheel of the triumphant car of competitive Commerce . Nor can I conceive of anything more likely to ...
... least is left us to strive for , the raising of the standard of life where it is lowest , where it is low : that will put a spoke in the wheel of the triumphant car of competitive Commerce . Nor can I conceive of anything more likely to ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words