A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 191
... less it fulfills it the worse the art . And the appraisement of feelings ( that is , the acknowl- edgment of one set of feelings or another as being more or less good , more or less necessary for the well - being of mankind ) is made by ...
... less it fulfills it the worse the art . And the appraisement of feelings ( that is , the acknowl- edgment of one set of feelings or another as being more or less good , more or less necessary for the well - being of mankind ) is made by ...
Pagina 216
... less learned and less just , we might be more efficient . If our appreciation were less general , it might be more real , and if we trained our imagi- nation into exclusiveness , it might attain to character . The Differentia of ...
... less learned and less just , we might be more efficient . If our appreciation were less general , it might be more real , and if we trained our imagi- nation into exclusiveness , it might attain to character . The Differentia of ...
Pagina 351
... less vivid picture of the outstretched hands and of their remaining outstretched , and a far less poignant sense of the distance of the shore and the longing of the souls . And it does so partly because this picture and this sense are ...
... less vivid picture of the outstretched hands and of their remaining outstretched , and a far less poignant sense of the distance of the shore and the longing of the souls . And it does so partly because this picture and this sense are ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words