A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 435
... live the scene " he feigns " to live it . Lastly the painter , indifferent , merely glances sidewise at the human reality . What happens there does not worry him ; he is , as they say , miles away from the event . His attitude is purely ...
... live the scene " he feigns " to live it . Lastly the painter , indifferent , merely glances sidewise at the human reality . What happens there does not worry him ; he is , as they say , miles away from the event . His attitude is purely ...
Pagina 439
... live in the imagination . Many Englishmen have fallen in love with Mona Lisa . With things represented in the new pictures , it is impos- sible to live : on stripping them of their aspects as " lived " realities , the painter has broken ...
... live in the imagination . Many Englishmen have fallen in love with Mona Lisa . With things represented in the new pictures , it is impos- sible to live : on stripping them of their aspects as " lived " realities , the painter has broken ...
Pagina 535
... live by labor of the necessity of their supporting the second part of the claim I have made for Labor ; namely , THAT THEIR WORK SHOULD BE OF ITSELF PLEASANT TO DO . If we could but convince them that such a strange revolution in Labor ...
... live by labor of the necessity of their supporting the second part of the claim I have made for Labor ; namely , THAT THEIR WORK SHOULD BE OF ITSELF PLEASANT TO DO . If we could but convince them that such a strange revolution in Labor ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words