A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 518
An Anthology Melvin Miller Rader. living and that it grows weak when it is taken as luxury and entertainment and separated from the main stream of practical everyday contemporary living , is contextualisti- cally sound . And a corollary ...
An Anthology Melvin Miller Rader. living and that it grows weak when it is taken as luxury and entertainment and separated from the main stream of practical everyday contemporary living , is contextualisti- cally sound . And a corollary ...
Pagina 529
... living street by street and door by door , people of the same blood , the same tongue , and at least nominally living under the same laws , but yet one civilized and the other uncivilized . All this I say is the result of the system ...
... living street by street and door by door , people of the same blood , the same tongue , and at least nominally living under the same laws , but yet one civilized and the other uncivilized . All this I say is the result of the system ...
Pagina 547
An Anthology Melvin Miller Rader. may be at hand , but that we now living may see the begin- ning of that end which shall extinguish luxury and poverty ? when the upper , middle , and lower classes shall have melted into one class , living ...
An Anthology Melvin Miller Rader. may be at hand , but that we now living may see the begin- ning of that end which shall extinguish luxury and poverty ? when the upper , middle , and lower classes shall have melted into one class , living ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words