A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 39
... look at a portrait by Raphael , or a landscape by Breughel or Con- stable , it is natural enough to assume that what appeals to us in such pictures is the sum total of what we see with our eyes and understand on the basis of everyday ...
... look at a portrait by Raphael , or a landscape by Breughel or Con- stable , it is natural enough to assume that what appeals to us in such pictures is the sum total of what we see with our eyes and understand on the basis of everyday ...
Pagina 47
... look at the street itself we are almost sure to adjust ourselves in some way to its actual existence . We recognize an acquaintance , and wonder why he looks so dejected this morning , or become inter- ested in a new fashion in hats ...
... look at the street itself we are almost sure to adjust ourselves in some way to its actual existence . We recognize an acquaintance , and wonder why he looks so dejected this morning , or become inter- ested in a new fashion in hats ...
Pagina 461
... look at the mountain , since we cannot look at the mountain , nor at a tree , a tower or anything of which we similarly say that is rises , without lifting our glance , raising our eye and probably raising our head and neck , all of ...
... look at the mountain , since we cannot look at the mountain , nor at a tree , a tower or anything of which we similarly say that is rises , without lifting our glance , raising our eye and probably raising our head and neck , all of ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words