Dall'interno del libro
Risultati 1-3 di 47
Pagina 39
We might begin by assuming that the artist himself feels so strongly and puts so
much of this feeling into his work of art , that the work of art becomes as it were
infectious , and communicates what the artist felt to anyone who looks at it .
We might begin by assuming that the artist himself feels so strongly and puts so
much of this feeling into his work of art , that the work of art becomes as it were
infectious , and communicates what the artist felt to anyone who looks at it .
Pagina 47
If we look at the street itself we are almost sure to adjust ourselves in some way to
its actual existence . We recognize an acquaintance , and wonder why he looks
so dejected this morning , or become interested in a new fashion in hats - the ...
If we look at the street itself we are almost sure to adjust ourselves in some way to
its actual existence . We recognize an acquaintance , and wonder why he looks
so dejected this morning , or become interested in a new fashion in hats - the ...
Pagina 460
All we mean is that the mountain looks as if it were rising . ... Very well ; then , (
says the Reader ) we will avoid all figures of speech and say merely : when we
look at the mountain we somehow or other think of the action of rising . Is.
All we mean is that the mountain looks as if it were rising . ... Very well ; then , (
says the Reader ) we will avoid all figures of speech and say merely : when we
look at the mountain we somehow or other think of the action of rising . Is.
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |