A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 549
... machine itself that we must fear . The chief danger lies in the failure to integrate the arts themselves with the totality of our life - experience : the perverse triumph of the machine follows automatically from the abdication of the ...
... machine itself that we must fear . The chief danger lies in the failure to integrate the arts themselves with the totality of our life - experience : the perverse triumph of the machine follows automatically from the abdication of the ...
Pagina 553
... machine itself was as much an instrument of art , in the hands of an artist , as were the simple tools and utensils . To erect a social bar- rier between machines and tools was really to accept the false notion of the new industrialist ...
... machine itself was as much an instrument of art , in the hands of an artist , as were the simple tools and utensils . To erect a social bar- rier between machines and tools was really to accept the false notion of the new industrialist ...
Pagina 563
... machine - made objects have been , for the most part , attempts to pervert the machine process in the interests of caste and pecuniary distinction . In money - ridden societies , where men play with poker chips instead of with economic ...
... machine - made objects have been , for the most part , attempts to pervert the machine process in the interests of caste and pecuniary distinction . In money - ridden societies , where men play with poker chips instead of with economic ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words