A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 132
... material . What makes him able to carry us with him in such a way and to arouse emotions in us of which we thought ... material , or into the nature of the ability to fashion that material , will ever make writers of us does not in any ...
... material . What makes him able to carry us with him in such a way and to arouse emotions in us of which we thought ... material , or into the nature of the ability to fashion that material , will ever make writers of us does not in any ...
Pagina 141
... material . Here , too , the writer retains a certain amount of inde- pendence , which can express itself in the choice of material and in changes in the material chosen , which are often considerable . As far as it goes , this material ...
... material . Here , too , the writer retains a certain amount of inde- pendence , which can express itself in the choice of material and in changes in the material chosen , which are often considerable . As far as it goes , this material ...
Pagina 332
... material objects as pure forms . We see things as ends in themselves , that is to say ; and at such moments it seems ... material beauty a thrill indistinguish- able from that which art gives ? And , And , if this be so , is it not clear ...
... material objects as pure forms . We see things as ends in themselves , that is to say ; and at such moments it seems ... material beauty a thrill indistinguish- able from that which art gives ? And , And , if this be so , is it not clear ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words