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Pagina 132
SIGMUND FREUD The Relation of the Poet to Daydreaming We laymen have
always wondered greatly— like the cardinal who put the question to Ariosto—
how that strange being, the poet, comes by his material. What makes him able to
...
SIGMUND FREUD The Relation of the Poet to Daydreaming We laymen have
always wondered greatly— like the cardinal who put the question to Ariosto—
how that strange being, the poet, comes by his material. What makes him able to
...
Pagina 141
We will not neglect to refer also to that class of imaginative work which must be
recognized not as spontaneous production, but as a refashioning of ready-made
material. Here, too, the writer retains a certain amount of independence, which ...
We will not neglect to refer also to that class of imaginative work which must be
recognized not as spontaneous production, but as a refashioning of ready-made
material. Here, too, the writer retains a certain amount of independence, which ...
Pagina 332
All of us, I imagine, do, Trom time to time, get a vision of material objects as pure
forms. We see things as ends in themselves, that is to say; and at such moments
it seems possible, and even probable, that we see them with the eye of an artist.
All of us, I imagine, do, Trom time to time, get a vision of material objects as pure
forms. We see things as ends in themselves, that is to say; and at such moments
it seems possible, and even probable, that we see them with the eye of an artist.
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Indice
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |