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Pagina 132
SIGMUND FREUD THE RELATION OF THE POET TO DAYDREAMING We laymen have always wondered greatly - like the cardinal who put the question to Ariosto - how that strange being , the poet , comes by his material . What makes him able to carry ...
SIGMUND FREUD THE RELATION OF THE POET TO DAYDREAMING We laymen have always wondered greatly - like the cardinal who put the question to Ariosto - how that strange being , the poet , comes by his material . What makes him able to carry ...
Pagina 141
We will not neglect to refer also to that class of imaginative work which must be recognized not as spontaneous production , but as a refashioning of ready - made material . Here , too , the writer retains a certain amount of ...
We will not neglect to refer also to that class of imaginative work which must be recognized not as spontaneous production , but as a refashioning of ready - made material . Here , too , the writer retains a certain amount of ...
Pagina 332
All of us , I imagine , do , from time to time , get a vision of material objects as pure forms . We see things as ends in themselves , that is to say ; and at such moments it seems possible , and even probable , that we see them with ...
All of us , I imagine , do , from time to time , get a vision of material objects as pure forms . We see things as ends in themselves , that is to say ; and at such moments it seems possible , and even probable , that we see them with ...
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Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitude beauty become called character color common complete connection consciousness course created criticism definition desire direct Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given hand human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move movement nature never novel object organization original ourselves painting particular perception perhaps person phantasies physical picture play pleasure poem poet poetry possible practical present produce pure question reality reason relation represented result sense shape significance simple social soul sound speak symbols theory things thought tion true truth turn unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |