A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 14
... matter . Last and most important : this very brilliance of form , the essence of beauty , shines on matter in an infinite variety of ways . 15 At one time it is the sensible brilliance of color or tone , at another the intelligible ...
... matter . Last and most important : this very brilliance of form , the essence of beauty , shines on matter in an infinite variety of ways . 15 At one time it is the sensible brilliance of color or tone , at another the intelligible ...
Pagina 338
... Matter , subject , content , substance , determines nothing ; there is no subject with which poetry may not deal : the form , the treatment , is everything . Nay , more : not only is the matter indifferent , but it is the secret of Art ...
... Matter , subject , content , substance , determines nothing ; there is no subject with which poetry may not deal : the form , the treatment , is everything . Nay , more : not only is the matter indifferent , but it is the secret of Art ...
Pagina 501
... matter of connections in nature independent of the critic's taste . But the relevance or importance , if not the truth , of any judgment of mediate value , is a matter of the individual critic's taste or consti- tution , since for any ...
... matter of connections in nature independent of the critic's taste . But the relevance or importance , if not the truth , of any judgment of mediate value , is a matter of the individual critic's taste or consti- tution , since for any ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words