A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 233
... meaning , ' and have taken a whole book , The Meaning of Meaning , to explain these distinctions . Particularly important for esthetics is the difference between " emotive " and " descrip- tive " meaning . The distinction is between meaning ...
... meaning , ' and have taken a whole book , The Meaning of Meaning , to explain these distinctions . Particularly important for esthetics is the difference between " emotive " and " descrip- tive " meaning . The distinction is between meaning ...
Pagina 351
... meaning of Virgil's line . What that meaning is I cannot say : Virgil has said it . But I can see this much , that the translation conveys a far less vivid picture of the outstretched hands and of their remaining outstretched , and a ...
... meaning of Virgil's line . What that meaning is I cannot say : Virgil has said it . But I can see this much , that the translation conveys a far less vivid picture of the outstretched hands and of their remaining outstretched , and a ...
Pagina 354
... Meaning they have , but what meaning can be said in no language but their own : and we know this , though some strange delusion makes us think the meaning has less worth because we cannot put it into words . Well , it is just the same ...
... Meaning they have , but what meaning can be said in no language but their own : and we know this , though some strange delusion makes us think the meaning has less worth because we cannot put it into words . Well , it is just the same ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
24 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words