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Pagina 22
And by that we mean , that they do what they undertake to do as well as possible . ... In this sense the word “ form ” means something like “ shape ” ; it means that we give shape to a number of people for a particular purpose .
And by that we mean , that they do what they undertake to do as well as possible . ... In this sense the word “ form ” means something like “ shape ” ; it means that we give shape to a number of people for a particular purpose .
Pagina 186
The experimental definition ( 2 ) , which makes art consist in the expression of emotions , is inexact , because a inan may express his emotions by means of lines , colors , sounds , or words , and yet may not act on others by such ...
The experimental definition ( 2 ) , which makes art consist in the expression of emotions , is inexact , because a inan may express his emotions by means of lines , colors , sounds , or words , and yet may not act on others by such ...
Pagina 332
The emotion that the artist felt in his moment of inspiration he did not feel for objects seen as means , but for objects seen as pure forms — that is , as ends in themselves . He did not feel emotion for a chair as a means to physical ...
The emotion that the artist felt in his moment of inspiration he did not feel for objects seen as means , but for objects seen as pure forms — that is , as ends in themselves . He did not feel emotion for a chair as a means to physical ...
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Parole e frasi comuni
abstract action activity actual appear appreciation artist aspect associations attitudes balance beauty become called cause character color complete connection consciousness course created criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape significant simple social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |