A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina xxii
... ment of the worth of the esthetic object . Judgment implies some standard of appraisal ; and in Chapter VIII , we can find various standards proposed . But perhaps the basic criterion of art is simply the richness and the fineness of ...
... ment of the worth of the esthetic object . Judgment implies some standard of appraisal ; and in Chapter VIII , we can find various standards proposed . But perhaps the basic criterion of art is simply the richness and the fineness of ...
Pagina 82
... ment , an experience remains incomplete ; physiologically and functionally , sense organs are motor organs and are connected , by means of distribution of energies in the human body and not merely anatomically , with other motor organs ...
... ment , an experience remains incomplete ; physiologically and functionally , sense organs are motor organs and are connected , by means of distribution of energies in the human body and not merely anatomically , with other motor organs ...
Pagina 358
... ment , to balance it . In a melody , each tone requires its successor to continue the trend that is being established . In short , the meaning of the whole is not something addi- tional to the elements of the work of art , but their ...
... ment , to balance it . In a melody , each tone requires its successor to continue the trend that is being established . In short , the meaning of the whole is not something addi- tional to the elements of the work of art , but their ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words