A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 275
... merely love , fear , anger , and so on , but a vast wealth of other unnamed but just as truly emotional experiences , is I believe the principal explanation of such opposition as there is to " emotionalist " theories of art . The so ...
... merely love , fear , anger , and so on , but a vast wealth of other unnamed but just as truly emotional experiences , is I believe the principal explanation of such opposition as there is to " emotionalist " theories of art . The so ...
Pagina 398
... merely a cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never as valuable in its own offering ; does not our ...
... merely a cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never as valuable in its own offering ; does not our ...
Pagina 462
... merely the thought of past rising but the thought also of future rising . All these risings , done by ourselves or watched in others , actually experienced or merely imagined , have long since united together in our mind , constituting ...
... merely the thought of past rising but the thought also of future rising . All these risings , done by ourselves or watched in others , actually experienced or merely imagined , have long since united together in our mind , constituting ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words