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Pagina 99
moral discrimination, not because a privilege of exemption is accorded to it, but
simply because moral discrimination cannot be applied to art. An artistic image
portrays an act morally praiseworthy or blameworthy; but this image, as image, ...
moral discrimination, not because a privilege of exemption is accorded to it, but
simply because moral discrimination cannot be applied to art. An artistic image
portrays an act morally praiseworthy or blameworthy; but this image, as image, ...
Pagina 184
between moral and esthetic values: beauty, being a good, is a moral good; and
the practice and enjoyment of art, like all practice and all enjoyment, fall within
the sphere of morals— at least if by morals we mean moral economy and not
moral ...
between moral and esthetic values: beauty, being a good, is a moral good; and
the practice and enjoyment of art, like all practice and all enjoyment, fall within
the sphere of morals— at least if by morals we mean moral economy and not
moral ...
Pagina 200
Esthetic and moral judgments are accordingly to be classed together in contrast
to judgments intellectual; they are both judgments of value, while intellectual
judgments are judgments of fact. If the latter have any value, it is only derivative,
and ...
Esthetic and moral judgments are accordingly to be classed together in contrast
to judgments intellectual; they are both judgments of value, while intellectual
judgments are judgments of fact. If the latter have any value, it is only derivative,
and ...
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |