A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 99
... moral discrimination cannot be applied to art . An artistic image portrays an act morally praiseworthy or ... moral judgment , uttered by a rational person , can make of it its object : we might just as well judge the square moral or the ...
... moral discrimination cannot be applied to art . An artistic image portrays an act morally praiseworthy or ... moral judgment , uttered by a rational person , can make of it its object : we might just as well judge the square moral or the ...
Pagina 200
... Moral and Esthetic Values The relation between esthetic and moral judgments , between the spheres of the beautiful and the good , is close , but the distinction between them is important . One factor of this distinction is that while ...
... Moral and Esthetic Values The relation between esthetic and moral judgments , between the spheres of the beautiful and the good , is close , but the distinction between them is important . One factor of this distinction is that while ...
Pagina 309
... moral discourse a subspecies of technological discourse ( and so morality a form of technology ) . The question then arises as to the basis of differentiation . The moral attitude may be held to arise when the endeavor is made to ...
... moral discourse a subspecies of technological discourse ( and so morality a form of technology ) . The question then arises as to the basis of differentiation . The moral attitude may be held to arise when the endeavor is made to ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words