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Pagina 320
Why these beautiful things do not move us as works of art move us is another , and not an esthetic , question . For our immediate purpose we have to discover only what quality is common to objects that do move us as works of art .
Why these beautiful things do not move us as works of art move us is another , and not an esthetic , question . For our immediate purpose we have to discover only what quality is common to objects that do move us as works of art .
Pagina 322
Having made it clear that by “ significant form ” I mean arrangements and combinations that move us in a particular way , I willingly join hands with those who prefer to give a different name to the same thing .
Having made it clear that by “ significant form ” I mean arrangements and combinations that move us in a particular way , I willingly join hands with those who prefer to give a different name to the same thing .
Pagina 522
So far as a work of art appeals to our common instincts and our deepest emotions , it can move men of whatever age or culture . It may from accident of language and fashion and national or religious bigotry come in and out of popularity ...
So far as a work of art appeals to our common instincts and our deepest emotions , it can move men of whatever age or culture . It may from accident of language and fashion and national or religious bigotry come in and out of popularity ...
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Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitude beauty become called character color common complete connection consciousness course created criticism definition desire direct Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given hand human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move movement nature never novel object organization original ourselves painting particular perception perhaps person phantasies physical picture play pleasure poem poet poetry possible practical present produce pure question reality reason relation represented result sense shape significance simple social soul sound speak symbols theory things thought tion true truth turn unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |