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Risultati 1-3 di 41
Pagina 320
Therefore , when I speak of significant form , I mean a combination of lines and
colors ( counting white and black as colors ) that moves me esthetically . Some
people may be surprised at my not having called this “ beauty . ” Of course , to
those ...
Therefore , when I speak of significant form , I mean a combination of lines and
colors ( counting white and black as colors ) that moves me esthetically . Some
people may be surprised at my not having called this “ beauty . ” Of course , to
those ...
Pagina 322
We are all familiar with pictures that interest us and excite our admiration , but do
not move us as works of art . To this class belongs what I call “ Descriptive
Painting ” - that is , painting in which forms are used not as objects of emotion ,
but as ...
We are all familiar with pictures that interest us and excite our admiration , but do
not move us as works of art . To this class belongs what I call “ Descriptive
Painting ” - that is , painting in which forms are used not as objects of emotion ,
but as ...
Pagina 522
So far as a work of art appeals to our common instincts and our deepest emotions
, it can move men of whatever age or culture . It may from accident of language
and fashion and national or religious bigotry come in and out of popularity , but ...
So far as a work of art appeals to our common instincts and our deepest emotions
, it can move men of whatever age or culture . It may from accident of language
and fashion and national or religious bigotry come in and out of popularity , but ...
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |