A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 116
... move amidst generali- ties and symbols , as within a tilt - yard in which our force is effectively pitted against other forces ; and fascinated by action , tempted by it , for our own good , on to the field it has selected , we live in ...
... move amidst generali- ties and symbols , as within a tilt - yard in which our force is effectively pitted against other forces ; and fascinated by action , tempted by it , for our own good , on to the field it has selected , we live in ...
Pagina 320
... move us as works of art move us is another , and not an esthetic , question . For our immedi- ate purpose we have to discover only what quality is com- mon to objects that do move us as works of art . In the last part of this chapter ...
... move us as works of art move us is another , and not an esthetic , question . For our immedi- ate purpose we have to discover only what quality is com- mon to objects that do move us as works of art . In the last part of this chapter ...
Pagina 522
... move men of whatever age or culture . It may from accident of language and fashion and național or religious bigotry come in and out of popularity , but there it is ready to move the common man or the student who will put himself in ...
... move men of whatever age or culture . It may from accident of language and fashion and național or religious bigotry come in and out of popularity , but there it is ready to move the common man or the student who will put himself in ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words