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Pagina 276
Or again , " The great ' subject ' of the first movement of Schubert's B flat trio represents to me and many the ne plus ultra of energy and passion ; yet this very movement was described by Schumann as ' tender , girlish , confiding ...
Or again , " The great ' subject ' of the first movement of Schubert's B flat trio represents to me and many the ne plus ultra of energy and passion ; yet this very movement was described by Schumann as ' tender , girlish , confiding ...
Pagina 475
These movements , distinguished from one another by a major emphasis upon some aspect of the critical enterprise ... character of artistic apprehension , was the dominant critical movement of the first half of the nineteenth century .
These movements , distinguished from one another by a major emphasis upon some aspect of the critical enterprise ... character of artistic apprehension , was the dominant critical movement of the first half of the nineteenth century .
Pagina 553
The educational aim of the arts and crafts movement was admirable ; and , in so far as it gave courage and understanding to the amateur , it was a success . If this movement did not add a sufficient amount of good handicraft it at least ...
The educational aim of the arts and crafts movement was admirable ; and , in so far as it gave courage and understanding to the amateur , it was a success . If this movement did not add a sufficient amount of good handicraft it at least ...
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abstract action activity actual affective appear appreciation artist aspect associations attitude beauty become called character color common complete connection consciousness course created criticism definition desire direct Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given hand human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move movement nature never novel object organization original ourselves painting particular perception perhaps person phantasies physical picture play pleasure poem poet poetry possible practical present produce pure question reality reason relation represented result sense shape significance simple social soul sound speak symbols theory things thought tion true truth turn unity universal whole