A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 94
Pagina 19
... nature . That's the whole secret . " 21 The imi- tative arts aim neither at copying the appearance of nature nor at depicting " the ideal , " but at making something beau- tiful by the display of a form with the help of visible symbols ...
... nature . That's the whole secret . " 21 The imi- tative arts aim neither at copying the appearance of nature nor at depicting " the ideal , " but at making something beau- tiful by the display of a form with the help of visible symbols ...
Pagina 60
... natural forms contain these emotional ele- ments ready made up for us , and all that art need do is to imitate Nature . " But , alas ! Nature is heartlessly indifferent to the needs of the imaginative life ; God causes His rain to fall ...
... natural forms contain these emotional ele- ments ready made up for us , and all that art need do is to imitate Nature . " But , alas ! Nature is heartlessly indifferent to the needs of the imaginative life ; God causes His rain to fall ...
Pagina 417
... nature would be like trying to produce music by sitting upon the piano , but the selec- tive , idealizing imitation of nature finds merely another support in such a saying . Naturalism , pleinairism , impres- sionism - even the ...
... nature would be like trying to produce music by sitting upon the piano , but the selec- tive , idealizing imitation of nature finds merely another support in such a saying . Naturalism , pleinairism , impres- sionism - even the ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words