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Pagina 19
Cezanne's familiar dictum expressed the same truth: "What we must do is
Poussin over again on nature. That's the whole secret." 21 The imitative arts aim
neither at copying the appearance of nature nor at depicting "the ideal," but at
making ...
Cezanne's familiar dictum expressed the same truth: "What we must do is
Poussin over again on nature. That's the whole secret." 21 The imitative arts aim
neither at copying the appearance of nature nor at depicting "the ideal," but at
making ...
Pagina 416
That all art requires a Distance-limit beyond which, and a Distance within which
only, esthetic appreciation becomes possible, is the psychological formulation of
a general characteristic of Art, viz., its anti-realistic nature. Though seemingly ...
That all art requires a Distance-limit beyond which, and a Distance within which
only, esthetic appreciation becomes possible, is the psychological formulation of
a general characteristic of Art, viz., its anti-realistic nature. Though seemingly ...
Pagina 417
copies nature with certain improvements and revisions. Artists themselves are
unfortunately often responsible for the spreading of this conception. Whistler
indeed said that to produce Art by imitating nature would be like trying to produce
...
copies nature with certain improvements and revisions. Artists themselves are
unfortunately often responsible for the spreading of this conception. Whistler
indeed said that to produce Art by imitating nature would be like trying to produce
...
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Indice
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |