A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 191
... necessary knowledge dislodging and re- placing what is mistaken and unnecessary , so the evolution of feeling proceeds through art - feelings less kind and less needful for the well - being of mankind being replaced by others kinder and ...
... necessary knowledge dislodging and re- placing what is mistaken and unnecessary , so the evolution of feeling proceeds through art - feelings less kind and less needful for the well - being of mankind being replaced by others kinder and ...
Pagina 357
... necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , " baked all through like a cake . " Since everything that is ...
... necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , " baked all through like a cake . " Since everything that is ...
Pagina 475
... necessary ( though insufficient ) condition , because a work of art , especially when it belongs to another age or culture , simply cannot be understood without the requisite historical orientation . Re - creation , in turn , is the ...
... necessary ( though insufficient ) condition , because a work of art , especially when it belongs to another age or culture , simply cannot be understood without the requisite historical orientation . Re - creation , in turn , is the ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words