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Pagina 120
What the artist fixes on his canvas is something he has seen at a certain spot , on
a certain day , at a certain hour , with a coloring that will never be seen again .
What the poet sings of is a certain mood which was his , and his alone , and
which ...
What the artist fixes on his canvas is something he has seen at a certain spot , on
a certain day , at a certain hour , with a coloring that will never be seen again .
What the poet sings of is a certain mood which was his , and his alone , and
which ...
Pagina 361
Opposition or contrast is never absent from balance , for even in symmetry ,
where the balancing elements are alike , the directions of these elements are
opposed , right and left . But contrast is never by itself esthetically satisfactory , for
the ...
Opposition or contrast is never absent from balance , for even in symmetry ,
where the balancing elements are alike , the directions of these elements are
opposed , right and left . But contrast is never by itself esthetically satisfactory , for
the ...
Pagina 398
for us merely a material to be used and never a material to be enjoyed ; is the
object merely a cause to produce certain effects , never an end in itself ; can our
life be complete in itself if everything comes in question for us merely as a means
to ...
for us merely a material to be used and never a material to be enjoyed ; is the
object merely a cause to produce certain effects , never an end in itself ; can our
life be complete in itself if everything comes in question for us merely as a means
to ...
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |