Dall'interno del libro
Risultati 1-3 di 85
Pagina 382
upon intuiting the immediate object, with all its concrete values, as abstracted
from its connections with things that lie beyond the "frame" of the experience.
Kant and Schopenhauer described the nature of this intense focusing upon the
object, ...
upon intuiting the immediate object, with all its concrete values, as abstracted
from its connections with things that lie beyond the "frame" of the experience.
Kant and Schopenhauer described the nature of this intense focusing upon the
object, ...
Pagina 445
But the self-exercise which is suggested to me by a sensible object may be so
conditioned that it is performed by me not without friction, not without inner
opposition. "If I can give myself up to the suggested activity without inner
opposition, ...
But the self-exercise which is suggested to me by a sensible object may be so
conditioned that it is performed by me not without friction, not without inner
opposition. "If I can give myself up to the suggested activity without inner
opposition, ...
Pagina 481
tained in the contemplation of the object will tend to discharge itself, if, when that
feeling has been obtained, the practical attitude is then allowed to replace the
contemplative. These various standards of criticism will now be examined in turn.
tained in the contemplation of the object will tend to discharge itself, if, when that
feeling has been obtained, the practical attitude is then allowed to replace the
contemplative. These various standards of criticism will now be examined in turn.
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |