A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 220
... objectified feelings . It becomes , like them , a quality of the object , which we distinguish from pleasures not so incorporated in the per- ception of things , by giving it the name of beauty . The Definition of Beauty We have now ...
... objectified feelings . It becomes , like them , a quality of the object , which we distinguish from pleasures not so incorporated in the per- ception of things , by giving it the name of beauty . The Definition of Beauty We have now ...
Pagina 223
... objectified joy with creations in which any emotion , even the most painful and terrible , is objectified , to the end that art may cease to be a sophisticated affair of the studios and become once more a power in the life of the people ...
... objectified joy with creations in which any emotion , even the most painful and terrible , is objectified , to the end that art may cease to be a sophisticated affair of the studios and become once more a power in the life of the people ...
Pagina 225
... objectified pleasure , so esthetic values are not mere emotions but only such emotions as are objectified . And neither pleasure nor any other feeling is objectified , that is , localized or vested in an object rather than in the ...
... objectified pleasure , so esthetic values are not mere emotions but only such emotions as are objectified . And neither pleasure nor any other feeling is objectified , that is , localized or vested in an object rather than in the ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
24 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words