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Pagina 87
In every integral experience there is form because there is dynamic organization . I call the organization dynamic because it takes time to complete it , because it is a growth . There are inception , development , fulfillment .
In every integral experience there is form because there is dynamic organization . I call the organization dynamic because it takes time to complete it , because it is a growth . There are inception , development , fulfillment .
Pagina 167
The novel demands that we pass from the symbol to reality , and only then to the affective organization ; biology demands that we go first to the concrete objects , and only then to their rational organization .
The novel demands that we pass from the symbol to reality , and only then to the affective organization ; biology demands that we go first to the concrete objects , and only then to their rational organization .
Pagina 175
The whole forms the specific fused glow which is that poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for ...
The whole forms the specific fused glow which is that poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for ...
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Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitude beauty become called character color common complete connection consciousness course created criticism definition desire direct Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given hand human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move movement nature never novel object organization original ourselves painting particular perception perhaps person phantasies physical picture play pleasure poem poet poetry possible practical present produce pure question reality reason relation represented result sense shape significance simple social soul sound speak symbols theory things thought tion true truth turn unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |