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Risultati 1-3 di 40
Pagina 87
In every integral experience there is form because there is dynamic organization .
I call the organization dynamic because it takes time to complete it , because it is
a growth . There are inception , development , fulfillment . Material is ingested ...
In every integral experience there is form because there is dynamic organization .
I call the organization dynamic because it takes time to complete it , because it is
a growth . There are inception , development , fulfillment . Material is ingested ...
Pagina 167
The novel demands that we pass from the symbol to reality , and only then to the
affective organization ; biology demands that we go first to the concrete objects ,
and only then to their rational organization . Poetry passes straight from the word
...
The novel demands that we pass from the symbol to reality , and only then to the
affective organization ; biology demands that we go first to the concrete objects ,
and only then to their rational organization . Poetry passes straight from the word
...
Pagina 175
The whole forms the specific fused glow which is that poem's affective
organization or emotional attitude to its meaning . Hence the same word has a
different affective coloration in one poem from what it has in another , and it is for
this reason ...
The whole forms the specific fused glow which is that poem's affective
organization or emotional attitude to its meaning . Hence the same word has a
different affective coloration in one poem from what it has in another , and it is for
this reason ...
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |