A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina vi
... original works ; the avoidance of repetition ; the extent to which the selections fit into the plan of the book ; and the usefulness of the materials for teaching and study . I have avoided snippity fragments , but I have counted ...
... original works ; the avoidance of repetition ; the extent to which the selections fit into the plan of the book ; and the usefulness of the materials for teaching and study . I have avoided snippity fragments , but I have counted ...
Pagina 152
... original nature ; 6 6 ART AND SEX . - The puritan has always suspected a relationship be- tween art and sex ; and in puritanical periods the artist , in aggressive reaction to this attitude , has often given a deliberate sexual appeal ...
... original nature ; 6 6 ART AND SEX . - The puritan has always suspected a relationship be- tween art and sex ; and in puritanical periods the artist , in aggressive reaction to this attitude , has often given a deliberate sexual appeal ...
Pagina 205
... original assumption and to conceive that morality is a means and not an end ; that it is the price of human non- adaptation , and the consequence of the original sin of unfitness . It is the compression of human conduct within the ...
... original assumption and to conceive that morality is a means and not an end ; that it is the price of human non- adaptation , and the consequence of the original sin of unfitness . It is the compression of human conduct within the ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words