A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 111
... painter is a painter , because he sees what others only feel or catch a glimpse of , but do not see . We think we see a smile , but in reality we have only a vague impression of it , we do not perceive all the charac- teristic traits of ...
... painter is a painter , because he sees what others only feel or catch a glimpse of , but do not see . We think we see a smile , but in reality we have only a vague impression of it , we do not perceive all the charac- teristic traits of ...
Pagina 112
... painter pos- sess those of another painter ! Nevertheless , that little is all our actual patrimony of intuitions or representations . Beyond these are only impressions , sensations , feelings , im- pulses , emotions , or whatever else ...
... painter pos- sess those of another painter ! Nevertheless , that little is all our actual patrimony of intuitions or representations . Beyond these are only impressions , sensations , feelings , im- pulses , emotions , or whatever else ...
Pagina 433
... painter whom chance has brought there . The wife , the doctor , the newspaper reporter , and the painter are witnessing the very same fact . Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a ...
... painter whom chance has brought there . The wife , the doctor , the newspaper reporter , and the painter are witnessing the very same fact . Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words