A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 17
... Painting , Sculpture , Poetry , Music , even Dancing , are imitative arts , that is to say arts realizing the beauty of the work and procuring the joy of the soul by the use of imitation or by producing through the medium of certain ...
... Painting , Sculpture , Poetry , Music , even Dancing , are imitative arts , that is to say arts realizing the beauty of the work and procuring the joy of the soul by the use of imitation or by producing through the medium of certain ...
Pagina 252
... painting , it is spatial design not color design that is the characteristic distinction . The parallel with music is ... painting has not traditionally been sheer color design to any such degree as that in which musical composition has ...
... painting , it is spatial design not color design that is the characteristic distinction . The parallel with music is ... painting has not traditionally been sheer color design to any such degree as that in which musical composition has ...
Pagina 394
... painter must really succeed , the frame alone cannot isolate that bit of experience . If his painting is nothing but a colored photograph which makes us ask , what the name of that shore is , whether there is good bathing and fishing ...
... painter must really succeed , the frame alone cannot isolate that bit of experience . If his painting is nothing but a colored photograph which makes us ask , what the name of that shore is , whether there is good bathing and fishing ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words