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Risultati 1-3 di 70
Pagina 31
The shape in which matter achieves a balance of strength is its perfection , a
solution of its own particular problem in which there is no waste or superfluity . If
we add to , or take something from , that perfection , the shape loses its equipoise
, its ...
The shape in which matter achieves a balance of strength is its perfection , a
solution of its own particular problem in which there is no waste or superfluity . If
we add to , or take something from , that perfection , the shape loses its equipoise
, its ...
Pagina 152
ew particular work of art may have its origins in the relatively impersonal and
unchanging experiences which are the content of the id ; we know that at the
other end of the process of elaboration and sublimation these elementary
intuitions ...
ew particular work of art may have its origins in the relatively impersonal and
unchanging experiences which are the content of the id ; we know that at the
other end of the process of elaboration and sublimation these elementary
intuitions ...
Pagina 462
But it is far more than the idea merely of that lifting or raising which we are doing
at this particular present moment and in connection with this particular mountain .
That present and particular raising and lifting is merely the nucleus to which ...
But it is far more than the idea merely of that lifting or raising which we are doing
at this particular present moment and in connection with this particular mountain .
That present and particular raising and lifting is merely the nucleus to which ...
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |