A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 24
... pattern , a pattern which the scientist himself will describe as " beautiful . " Proof that this pattern is not invented by the scientist , but does actually exist , can be obtained by passing an X ray through , say , a crystal of ...
... pattern , a pattern which the scientist himself will describe as " beautiful . " Proof that this pattern is not invented by the scientist , but does actually exist , can be obtained by passing an X ray through , say , a crystal of ...
Pagina 371
... patterns within designs can be so regarded . In this sense the " same " design may occur again and again in the works of an artist . The swirl pattern in the " Miracle of St. Mark " recurs in one form or another in innumerable ...
... patterns within designs can be so regarded . In this sense the " same " design may occur again and again in the works of an artist . The swirl pattern in the " Miracle of St. Mark " recurs in one form or another in innumerable ...
Pagina 374
... pattern or in the difference of strength of their individual type patterns than in any other formal difference or in any differences in the material , expressive , or func- tional features of their works . As to the historian of art ...
... pattern or in the difference of strength of their individual type patterns than in any other formal difference or in any differences in the material , expressive , or func- tional features of their works . As to the historian of art ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words