A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 372
... patterns of Giotto ; the vertically elongated shape patterns of El Greco ; the dense , weighty , color rhythms of the later Titian , are repeated by these artists in different pictures with endless modifications . Similar type patterns ...
... patterns of Giotto ; the vertically elongated shape patterns of El Greco ; the dense , weighty , color rhythms of the later Titian , are repeated by these artists in different pictures with endless modifications . Similar type patterns ...
Pagina 374
... patterns as tools of clarification and correlation of individual designs . A type pattern , such as a sonata or an ... patterns , as schemata of recurrent formal traits , can highlight generic formal features of concrete forms and formal ...
... patterns as tools of clarification and correlation of individual designs . A type pattern , such as a sonata or an ... patterns , as schemata of recurrent formal traits , can highlight generic formal features of concrete forms and formal ...
Pagina 376
... patterns , traditional and individual , can be a disadvantage and even a danger to the creative artist . An ambitious apprentice may be handcuffed and ill at ease writing drama in neoclassic patterns or music in seventeenth - century ...
... patterns , traditional and individual , can be a disadvantage and even a danger to the creative artist . An ambitious apprentice may be handcuffed and ill at ease writing drama in neoclassic patterns or music in seventeenth - century ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words