A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 84
... perceived or thought of , it is either preliminary or pathological . The esthetic or undergoing phase of experience ... perceive that which bears us down . We must summon energy and pitch it at a responsive key in order to take in ...
... perceived or thought of , it is either preliminary or pathological . The esthetic or undergoing phase of experience ... perceive that which bears us down . We must summon energy and pitch it at a responsive key in order to take in ...
Pagina 85
... perceived , certainly not esthetically . A crowd of visitors steered through a picture - gallery by a guide , with attention called here and there to some high point , does not perceive ; only by accident is there even interest in ...
... perceived , certainly not esthetically . A crowd of visitors steered through a picture - gallery by a guide , with attention called here and there to some high point , does not perceive ; only by accident is there even interest in ...
Pagina 520
... perceived . Each such experience is an esthetic experience . But the next point is the important one . Normally each successive perception funds the previous one and adds something new not perceived before . Some new detail comes out ...
... perceived . Each such experience is an esthetic experience . But the next point is the important one . Normally each successive perception funds the previous one and adds something new not perceived before . Some new detail comes out ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
24 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words