A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 194
... perception or of susceptibility . If criticism is too narrow a word , pointing exclusively to our more artificial judg- ments , esthetics seems to be too broad and to include within its sphere all pleasures and pains , if not all ...
... perception or of susceptibility . If criticism is too narrow a word , pointing exclusively to our more artificial judg- ments , esthetics seems to be too broad and to include within its sphere all pleasures and pains , if not all ...
Pagina 219
... perceptions and reactions which that thing produces ; the esthetic idea is less abstract , since it retains the emotional reaction , the pleasure of the perception , as an integral part of the conceived thing . Nor is it hard to find ...
... perceptions and reactions which that thing produces ; the esthetic idea is less abstract , since it retains the emotional reaction , the pleasure of the perception , as an integral part of the conceived thing . Nor is it hard to find ...
Pagina 520
... perception and realize the quality . It is true that the spectator can , once he has perceived the picture , bring up the memory of it , but we shall not here concern ourselves with this phase of the matter nor with photographs or other ...
... perception and realize the quality . It is true that the spectator can , once he has perceived the picture , bring up the memory of it , but we shall not here concern ourselves with this phase of the matter nor with photographs or other ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words