Dall'interno del libro
Risultati 1-3 di 87
Pagina 83
Otherwise , there is not perception but recognition . The difference between the
two is immense . Recognition is perception arrested before it has a chance to
develop freely . In recognition there is a beginning of an act of perception . But
this ...
Otherwise , there is not perception but recognition . The difference between the
two is immense . Recognition is perception arrested before it has a chance to
develop freely . In recognition there is a beginning of an act of perception . But
this ...
Pagina 194
... and of nomenclature has accordingly adopted a more learned word , Esthetics
, that is , the theory of perception or of ... seems to be too broad and to include
within its sphere all pleasures and pains , if not all perceptions whatsoever .
... and of nomenclature has accordingly adopted a more learned word , Esthetics
, that is , the theory of perception or of ... seems to be too broad and to include
within its sphere all pleasures and pains , if not all perceptions whatsoever .
Pagina 520
It requires the two in contact to produce the perception and realize the quality . It
is true that the spectator can , once he has perceived the picture , bring up the
memory of it , but we shall not here concern ourselves with this phase of the
matter ...
It requires the two in contact to produce the perception and realize the quality . It
is true that the spectator can , once he has perceived the picture , bring up the
memory of it , but we shall not here concern ourselves with this phase of the
matter ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |