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Pagina 83
It, too, is a process consisting of a series of responsive acts that accumulate
toward objective fulfillment. Otherwise, there is not perception but recognition.
The difference between the two is immense. Recognition is perception arrested
before it ...
It, too, is a process consisting of a series of responsive acts that accumulate
toward objective fulfillment. Otherwise, there is not perception but recognition.
The difference between the two is immense. Recognition is perception arrested
before it ...
Pagina 194
This age of science and of nomenclature has accordingly adopted a more
learned word, Esthetics, that is, the theory of perception or of susceptibility. If
criticism is too narrow a word, pointing exclusively to our more artificial judgments
, ...
This age of science and of nomenclature has accordingly adopted a more
learned word, Esthetics, that is, the theory of perception or of susceptibility. If
criticism is too narrow a word, pointing exclusively to our more artificial judgments
, ...
Pagina 520
It requires the two in contact to produce the perception and realize the quality. It is
true that the spectator can, once he has perceived the picture, bring up the
memory of it, but we shall not here concern ourselves with this phase of the
matter ...
It requires the two in contact to produce the perception and realize the quality. It is
true that the spectator can, once he has perceived the picture, bring up the
memory of it, but we shall not here concern ourselves with this phase of the
matter ...
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |